Sans Superellipse Etkat 2 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Overnight JNL' and 'Plain Nouveau JNL' by Jeff Levine and 'Libel Suit' by Typodermic (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, signage, sporty, urgent, assertive, retro, industrial, impact, speed, space-saving, modernize, branding, condensed, slanted, oblique, rounded, punchy.
A condensed, heavily slanted sans with tight internal space and a compact, vertical rhythm. Strokes are uniformly weighty with minimal contrast, and terminals are clean and mostly straight-cut, while curves are rounded and slightly squared-off, giving bowls and counters a superelliptical feel. The capitals read tall and compressed with crisp joins, and the lowercase shows a tall x-height that keeps word shapes dense and emphatic. Numerals are narrow and sturdy, matching the overall forward-leaning, high-impact texture.
Well-suited to headlines, posters, event graphics, and brand marks that need speed and impact. It can work effectively on packaging and signage where a compact footprint and strong emphasis are beneficial. For longer text, more generous sizing and spacing would help maintain readability.
The overall tone is fast, forceful, and performance-oriented, with a distinctly kinetic slant that suggests motion and urgency. Its compact width and heavy presence feel bold and competitive, evoking signage, motorsport, and retro athletic graphics. The rounded-rectangle curves add a modern, engineered edge rather than a friendly softness.
The design appears intended to deliver maximum impact in minimal horizontal space, combining a strong oblique stance with compact proportions for a sense of motion and intensity. The rounded, squared curves aim for a contemporary, engineered look that stays clean and consistent across letters and numbers.
Spacing appears tight by default, producing a dark, continuous text color that favors short bursts over long reading. The strong oblique angle and condensed proportions make letterforms highly distinctive at display sizes, while small counters and narrow apertures can reduce clarity when set too small or too tightly.