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Free for Commercial Use

Sans Superellipse Ognan 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Brainy Variable Sans' by Maculinc, 'Interlaken' by ROHH, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, sturdy, modern, playful, confident, impact, approachability, modernity, simplicity, readability, rounded corners, soft terminals, compact, blocky, high contrast (shape).


Free for commercial use
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This typeface uses heavy, uniform strokes with rounded-rectangle construction throughout, producing broad curves and softened corners rather than geometric circles. Curves and straight segments meet with generous radius transitions, and terminals tend to be blunt and square-ish with rounding, giving a compact, blocky silhouette. Counters are relatively tight and often squarish, while key forms like the uppercase C/G and the numerals show wide, stable bowls. The overall rhythm is dense and even, optimized for impact rather than delicacy.

This font performs best where strong presence and quick recognition matter: headlines, posters, short UI labels, signage, and bold brand lockups. It can also work for packaging and product naming where a friendly, contemporary heaviness is desired. For longer text, it will be more comfortable at larger sizes with ample spacing due to its dense, heavy texture.

The overall tone is friendly and approachable while still feeling tough and dependable. Its rounded, inflated shapes suggest a playful contemporary voice—more “sporty and fun” than corporate—without slipping into novelty. The weight and compactness convey confidence and immediacy, making it feel assertive in headlines.

The design appears intended to deliver maximum visual impact with a soft-edged, contemporary geometry. By building letters from rounded-rectangle forms and keeping strokes uniform, it prioritizes consistency, sturdiness, and a welcoming feel suited to modern display typography.

Uppercase forms read especially solid and poster-like, with simplified interior shapes and minimal modulation. The lowercase maintains the same rounded-rect logic, keeping a consistent texture in paragraph-length settings, though the heavy weight and tight counters make it best at larger sizes. Numerals match the same sturdy, rounded construction and look well-suited to bold callouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸