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Free for Commercial Use

Stencil Figo 8 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Eina' by Extratype, 'Goga' by Narrow Type, 'TT Commons Classic' and 'TT Commons™️ Pro' by TypeType, and 'Segment' by Typekiln (names referenced only for comparison).

Keywords: posters, branding, headlines, signage, packaging, industrial, technical, modernist, utilitarian, futuristic, stencil utility, industrial voice, graphic impact, systematic design, high-contrast breaks, geometric, hard-edged, blocky, machined.


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A heavy, monoline sans with geometric construction and squared terminals, designed around bold strokes and compact counters. The defining feature is consistent stencil-like interruption: many glyphs are bisected by a horizontal gap that creates clear bridges and segmented bowls, producing a strong banded rhythm across words. Curves are broad and clean (notably in C/O/G/Q forms), while diagonals in A/V/W/X/Y/Z are sharp and stable, keeping the overall texture dense and uniform. Lowercase forms are simple and sturdy with minimal modulation, and numerals follow the same split-stroke logic for a cohesive, engineered look.

Well-suited to posters, headlines, and brand marks that benefit from a strong, industrial voice. It can work effectively for signage, labels, and packaging where a fabricated or technical aesthetic is desired, especially when the horizontal stencil breaks are used as a deliberate graphic signature.

The repeated midline breaks give the face a fabricated, cut-out character that reads as industrial and technical. It carries a modernist, system-signage tone with a slightly sci‑fi edge, projecting strength, precision, and functionality rather than warmth or delicacy.

The design appears intended to fuse a straightforward geometric sans with systematic stencil breaks, producing letters that feel manufactured and repeatable. Its goal is likely to deliver immediate impact and a distinctive, engineered identity while maintaining consistent, readable silhouettes at display scale.

The stencil breaks are highly regular in placement and thickness, creating a distinctive horizontal emphasis that can become a graphic motif in headlines. The bold weight and tight interior spaces suggest it will feel most confident at display sizes where the interruptions remain clearly legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸