Sans Superellipse Myjo 3 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Dean Gothic' by Blaze Type, 'Bio Sans Soft' by Dharma Type, 'News Gothic No. 2' by Linotype, 'Alergia Grotesk' by Machalski, 'Malmo Sans Pro' by Martin Lexelius Core, 'PG Gothique' by Paulo Goode, 'Kommon Grotesk' by TypeK, and 'Tablet Gothic' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, sporty, friendly, punchy, retro, confident, impact, approachability, motion, brand presence, rounded, soft-cornered, compact, upright-leaning, chunky.
A heavy, rounded sans with a consistent rightward slant and soft, squared-off curves that feel superelliptical rather than purely circular. Strokes are thick and even, with gently rounded terminals and largely closed apertures that create dense, compact counters. The overall rhythm is blocky and sturdy, with simplified joins and minimal stroke modulation; curves and corners share a uniform radius that keeps the texture cohesive. Numerals and capitals read especially solid and sign-like, while lowercase forms maintain the same stout, rounded construction.
Best suited for high-impact display roles such as headlines, posters, logos, and packaging where a compact, bold voice is needed. The slanted stance and rounded mass also make it a strong fit for sports, entertainment, and youth-oriented branding that benefits from a lively, approachable presence.
The tone is energetic and approachable, pairing bold impact with softened edges that keep it from feeling harsh. Its italic slant adds motion and a sporty, forward-driving attitude, while the rounded construction lends a friendly, contemporary warmth.
The design appears intended to deliver maximum visibility and punch while maintaining friendliness through softened corners and controlled geometry. Its consistent slant and dense forms suggest a focus on dynamic, modern display typography that remains legible at large sizes.
Spacing appears moderately tight at display sizes, producing a dark, emphatic color that favors short bursts of text over long reading. The rounded-rectangle geometry is particularly evident in bowls, shoulders, and terminals, giving the type a cohesive, engineered feel rather than a handwritten one.