Sans Other Jadaz 2 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, logos, ui display, futuristic, techy, modular, playful, retro, sci-fi display, tech branding, retro-future, modular construction, geometric, rounded, square-cut, stencil-like, soft corners.
A geometric sans with monoline strokes, wide proportions, and a deliberately constructed, modular feel. Many forms are built from squared-off arcs and straight segments with softened corners, creating rounded rectangles and open counters (notably in C, G, and several lowercase bowls). Terminals tend to be flat and abrupt, with occasional cut-ins and internal notches that give certain letters a stencil-like, engineered character. Curves read as clean, near-circular sweeps, while joins are simplified and mechanical, producing a crisp, high-contrast silhouette against the page.
Best suited to display settings where its geometric construction and distinctive letterforms can be appreciated: headlines, posters, album/game titles, tech branding, and interface or dashboard-style graphics. It can also work for short blocks of text at larger sizes, where the open counters and wide spacing read clearly.
The tone is futuristic and gadget-like, evoking sci-fi interfaces and retro computer/arcade typography. Its geometric quirks and open, sculpted counters add a friendly playfulness, keeping the look from feeling cold or purely utilitarian. Overall it suggests technology, motion, and design-forward branding.
The design appears aimed at creating a contemporary, tech-forward sans with a modular construction and memorable, customized shapes. Its cut-in details and squared curves suggest an intention to reference industrial design and retro-futurist display typography while staying clean and legible at larger sizes.
The alphabet shows intentional idiosyncrasies—open shapes, occasional asymmetries, and distinctive constructions (such as the angular, segmented S and the stylized lowercase forms) that prioritize personality over strict neutrality. Numerals follow the same rounded-rectilinear logic, with clear, bold silhouettes that feel signage-oriented.