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Sans Normal Lagul 11 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'BR Omny' by Brink, 'Fold Grotesque' by Colophon Foundry, 'Fracktif' by Degarism Studio, 'Asket' by Glen Jan, 'Texta Pro' by Latinotype, and 'Mozaic' by TipoType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, sporty, confident, upbeat, modern, energetic, impact, momentum, modernity, approachability, display clarity, oblique, rounded, geometric, chunky, smooth.


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A heavy, oblique sans with broad proportions and smooth, geometric construction. Strokes are consistently thick with minimal contrast, and curves are built from clean arcs and rounded bowls, giving the letters a compact, muscular footprint. Terminals are predominantly blunt and squared-off, while counters stay open enough to remain legible at display sizes. The italics are driven by a steady rightward slant and slightly sheared geometry rather than calligraphic modulation, producing a crisp, forward-leaning rhythm across words and lines.

Best used for headlines, advertising, and brand-led applications where a strong, forward-leaning voice is desirable. It will perform well on packaging, signage, and promotional graphics, especially when set large and with comfortable tracking to maintain clarity. The weight and width make it a natural fit for sports, entertainment, and high-energy campaign work.

The overall tone is assertive and kinetic, with an energetic slant that suggests motion and momentum. Its rounded geometry keeps it approachable, while the dense weight and wide stance project confidence and impact. The result feels contemporary and promotional, suited to bold statements rather than quiet text.

The design appears intended to deliver maximum impact with a modern, geometric sans structure and a purposeful oblique stance. By pairing thick, low-contrast strokes with rounded construction, it aims to stay friendly while still reading as bold and high-performance. The emphasis is on display clarity and a dynamic, motion-oriented presence.

Uppercase forms read stable and strong, while lowercase keeps a lively, slightly condensed feel within the slanted structure. Numerals appear sturdy and straightforward, matching the same rounded, low-modulation approach as the letters. In longer samples, the consistent slant creates a cohesive texture, though the heavy strokes can visually tighten spacing in dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸