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Stencil Efri 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Sole Sans' by CAST, 'FF Clan' by FontFont, 'EquipCondensed' by Hoftype, 'Breno Narrow' by Monotype, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, 'Nuno' by Type.p, and 'Anteb' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, wayfinding, industrial, utilitarian, rugged, military, signage, template marking, impact display, robust legibility, industrial styling, blocky, rounded corners, compact, high impact, cutout.


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A heavy, block-based display face with stencil breaks that create clear bridges through verticals, bowls, and counters. Forms are largely monoline and geometric, with rounded corners and softly curved joins that keep the shapes from feeling sharp despite the weight. Capitals read sturdy and compact, while the lowercase shows simplified, single-storey construction and a tall, sturdy profile that holds up well at large sizes. Numerals match the same cutout logic, maintaining consistent bridge placement and dense silhouettes for strong spot color.

Best suited to display settings where a bold, stenciled voice is desirable: posters, headlines, branding marks, and product packaging with an industrial or tactical aesthetic. It can also work for wayfinding and labeling-inspired graphics when set at medium-to-large sizes so the stencil bridges remain crisp and intentional.

The overall tone is tough and functional, evoking painted templates, equipment marking, and no-nonsense labeling. Its rounded edges add a slightly friendly, retro-industrial flavor, balancing the hard utility of the stencil construction with a more approachable rhythm.

The design appears intended to deliver a high-impact stencil look that remains readable in continuous text, using rounded geometry and consistent bridge logic to maintain clarity. It aims for template-like authenticity while keeping letterforms simplified and sturdy for graphic applications.

Stencil gaps are used consistently across the set, often as vertical interruptions that preserve interior counters while keeping the outer silhouette bold and recognizable. Spacing appears generous for a stencil display, helping the bridges stay legible in words and preventing dark clumping in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸