Sans Superellipse Abmer 10 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Alamia' by Ani Dimitrova, 'AC Texto' and 'AC Texto Pro' by Antoine Crama, 'FF Zine Sans Display' by FontFont, 'Latino Gothic' by Latinotype, 'Contemporary Sans' by Ludwig Type, 'Alergia Grotesk' by Machalski, 'Mellnik Text' by ParaType, 'PF Das Grotesk Pro' by Parachute, and 'Haboro Squared' by insigne (names referenced only for comparison).
Keywords: ui text, branding, signage, product design, presentations, clean, neutral, modern, friendly, utilitarian, clarity, modernization, approachability, system neutrality, geometric consistency, monolinear, rounded, open apertures, large counters, soft corners.
This sans serif is built from smooth, rounded-rectangle geometry with softly curved joins and consistently even stroke weight. Curves and bowls feel superelliptical rather than perfectly circular, giving round letters like C, G, O, and Q a squarish softness. Terminals are clean and mostly straight-cut, with ample counters and relatively open apertures that keep shapes clear at text sizes. The lowercase is straightforward and readable, with a single-storey a and g, a compact ear on g, and a short-armed t; overall spacing and rhythm read steady and uncluttered.
It suits interface typography, dashboards, and product labeling where clear shapes and steady rhythm are important. The friendly geometric construction also works for contemporary branding, packaging, wayfinding, and straightforward editorial or presentation layouts that need a modern, clean voice.
The overall tone is contemporary and approachable, balancing a technical, system-like cleanliness with gentle roundness. Its softened geometry keeps it from feeling harsh, making it suitable for designs aiming for clarity without coldness.
The design appears intended to provide a highly legible, contemporary sans with a signature superelliptical roundness—clean enough for functional settings while remaining visually warm and approachable.
Round forms lean toward a squared-off oval, which creates a distinctive "soft-rectangular" texture across words. Numerals follow the same rounded geometry and feel consistent with the letterforms, supporting clear alphanumeric set-ups.