Sans Other Fura 13 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Jazz Gothic' by Canada Type and 'Friez' by Putracetol (names referenced only for comparison).
Keywords: posters, headlines, logo design, album covers, sports branding, industrial, techno, urban, assertive, brutalist, high impact, futuristic edge, industrial voice, distinctive silhouette, blocky, modular, angular, stencil-like, notched.
A compact, block-built sans with heavy rectangular strokes and sharply cut corners. Letterforms are constructed from straight segments and right angles, with frequent internal slits and notches that read like stencil breaks or mechanical counters. Curves are largely suppressed in favor of squared bowls and faceted diagonals, giving the design a rigid, engineered rhythm. The texture is dense and high-impact, with tight apertures and simplified counters that stay consistent across caps, lowercase, and numerals.
Best suited for large-size display work where its carved-in details and block geometry can be appreciated—posters, headlines, logos, packaging, and entertainment or sports branding. It can also support short UI labels or title cards when a hard-edged, industrial voice is desired, but will be more effective in brief bursts than in long-form reading.
The overall tone is tough, mechanical, and futuristic, with a poster-like immediacy. Its notched cut-ins add a coded, industrial feel that suggests machinery, sci‑fi interfaces, or street-ready branding rather than friendly everyday text.
The design appears intended to deliver maximum visual impact through a modular, squared construction and distinctive stencil-like incisions. It prioritizes a strong silhouette and a techno-industrial character, creating a recognizable voice for bold statements and branding.
The punctuation and figures follow the same modular logic, keeping the set visually unified. In the sample text, long lines form a strong black band, emphasizing shape and negative-space cuts over fine detail, which makes spacing and word shapes the primary carriers of readability.