Sans Superellipse Nudab 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Prachason Neue Mon' by Jipatype; 'Sebino Soft' by Nine Font; and 'Core Sans D', 'Core Sans DS', 'Core Sans ES', and 'Core Sans R' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, playful, retro, friendly, energetic, sporty, impact, warmth, motion, approachability, display-first, rounded, soft corners, chunky, bouncy, oblique.
A heavy, rounded sans with a consistent oblique slant and soft, superelliptical contours. Strokes are thick and even, with minimal contrast and generously rounded terminals that keep corners from ever feeling sharp. Counters are compact and smooth, and the overall rhythm is tight and punchy, producing strong silhouettes that stay legible at display sizes. Numerals and capitals carry the same inflated, rounded-rectangle construction, with slightly irregular, lively shapes that avoid a strictly geometric feel.
Well-suited for attention-grabbing headlines, posters, and short promotional copy where a bold, friendly voice is needed. It can work effectively for branding marks, packaging, and energetic campaigns—especially in contexts like sports, youth-oriented products, or playful retail. For longer text, it performs best at larger sizes with ample line spacing due to its dense, rounded forms.
The font reads upbeat and approachable, with a buoyant, almost cartoonish confidence. Its bold, slanted stance adds motion and enthusiasm, giving a sporty, headline-ready tone that feels modern yet slightly retro. The softened geometry keeps it friendly rather than aggressive.
The design appears intended to deliver maximum impact with a warm, rounded personality and a sense of forward motion. Its softened, superelliptical construction and heavy weight prioritize approachable display readability while projecting energy and fun.
The design favors strong black shapes and smooth curvature over fine detailing, making it best when its rounded massing can be appreciated. The slant and compact apertures create a dynamic texture in text, which can look dense in longer passages but very effective in short, emphatic phrases.