Sans Faceted Deko 2 is a very bold, wide, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, sports branding, packaging, game titles, industrial, brutalist, athletic, sci‑fi, poster, impact, ruggedness, machined feel, display strength, geometric styling, blocky, faceted, angular, stencil-like, compact counters.
A heavy, block-built sans with sharp planar facets that replace most curves, giving letters an octagonal, machined silhouette. Strokes are thick and mostly uniform, with small counters and occasional slit-like openings that read like cut-ins or notches rather than traditional apertures. The rhythm is tightly packed and punchy, with squared terminals, flattened shoulders, and sturdy verticals; round letters (O, C, G) are rendered as clipped polygons. Uppercase forms feel especially massive, while lowercase keeps similarly chunky construction and a high x-height, maintaining an even, forceful texture in text.
Best suited for display applications where bold, graphic impact is the goal: posters, covers, title cards, team or event branding, and packaging that benefits from a rugged, engineered voice. It also works well for short UI labels or badges when set with ample size and spacing to preserve the interior cut details.
The overall tone is tough and mechanical, evoking industrial labeling, sports identity, and retro-digital or arcade energy. Its faceted cuts add a rugged, engineered attitude that feels assertive and impact-driven rather than friendly or conversational.
The design appears intended to deliver maximum visual weight with a geometric, faceted construction that suggests carved or stamped lettering. By turning curves into planar cuts and keeping counters tight, it aims for an unmistakable, high-impact look that reads as industrial and contemporary.
In the sample text, the dense black mass and compact internal spaces create strong headline presence but can reduce clarity as sizes shrink or lines get long. The faceting and notch details become a distinctive signature at display sizes, where the geometric cuts read as intentional styling rather than incidental texture.