Sans Superellipse Utkoh 5 is a regular weight, very wide, low contrast, upright, normal x-height font visually similar to 'Midnight Sans' by Colophon Foundry and 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: ui design, product branding, signage, headlines, packaging, tech, futuristic, clean, confident, industrial, modernization, clarity, tech branding, geometric unity, square-rounded, geometric, modular, wide-set, monoline.
A geometric sans with rounded-rectangle and superellipse construction, showing broad proportions and monoline strokes. Curves transition into straights with softened corners, creating a squarish bowl shape in letters like O, Q, and C, and rounded terminals throughout. The caps are built from sturdy verticals and wide horizontals, while diagonals (A, V, W, X, Y) are crisp and stable without calligraphic modulation. Lowercase forms keep the same squared-round logic; counters are open and generously sized, and the overall spacing reads even and intentionally airy in text.
Its broad, rounded geometry and steady stroke weight make it a strong fit for UI and product branding, where clarity and a contemporary feel are important. It also suits headlines, wayfinding, and packaging that benefit from a clean, engineered look with softened corners for approachability.
The design communicates a contemporary, tech-forward tone—precise, engineered, and calm rather than expressive. Its rounded corners and wide stance soften the mechanical geometry, giving it a friendly modernism suited to product and interface environments.
The font appears designed to deliver a modern geometric sans voice rooted in rounded-rectangular forms, balancing a technical, constructed skeleton with friendly corner rounding. The goal seems to be a distinctive, screen-ready silhouette that remains clear and consistent across letters and numerals.
Numerals follow the same squarish, rounded system, with 0 as a rounded rectangle and 2/3 featuring long, smooth horizontals and softened bends. The lowercase includes a single-storey a and g, reinforcing the geometric, simplified voice, and the rounded shoulder shapes in letters like n, m, and h maintain a consistent, modular rhythm.