Sans Superellipse Utkon 3 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, logos, posters, packaging, signage, futuristic, techy, industrial, confident, streamlined, tech branding, display impact, geometric clarity, modern signage, rounded corners, squared curves, geometric, extended, modular.
A heavy, geometric sans with a distinctly squarish, superellipse construction—round counters and curves resolve into rounded-rectangle forms rather than true circles. Strokes are largely uniform, with smooth joints and softened terminals that keep the overall texture even at large sizes. The proportions are expanded with generous horizontal width, while the lowercase maintains a tall, prominent x-height and compact ascenders/descenders, yielding a dense, display-forward rhythm. Letterforms emphasize straight-sided bowls and rounded corners (notably in C, G, O, Q and the numerals), with a clean, engineered consistency across the set.
Best suited to headlines and short-form display settings where its wide, rounded-square geometry can read as a defining graphic feature. It also works well for tech-oriented logos, product branding, packaging, and large-format signage where uniform strokes and softened corners maintain clarity.
The typeface conveys a futuristic, technical tone: clean, controlled, and slightly retro-digital. Its wide stance and rounded-rect geometry feel machined and modern, suggesting interfaces, devices, and sci‑fi branding more than editorial warmth.
The design intention appears to be a highly legible, brandable display sans built from superellipse-like shapes—balancing strict geometry with rounded corners to feel both engineered and approachable. The expanded proportions and tall lowercase aim to maximize presence and readability in modern, technology-leaning contexts.
The rounded-square logic carries strongly into the numerals, giving them a cohesive, UI-like presence. Diagonals (V, W, X, Y) remain sturdy and simplified, and the overall spacing appears designed for bold, high-impact lines rather than delicate typographic color at small sizes.