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Free for Commercial Use

Serif Normal Anroj 2 is a bold, normal width, very high contrast, italic, normal x-height font visually similar to 'Arthur Matilde' and 'Gravelo' by Letterena Studios (names referenced only for comparison).

Keywords: headlines, editorial, magazine, posters, book covers, classic, dramatic, elegant, formal, elegance, emphasis, tradition, drama, editorial tone, crisp, brisk, bracketed, chiseled, calligraphic.


Free for commercial use
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This typeface is a high-contrast italic serif with a crisp, engraved feel. Thick vertical stems pair with hairline joins and sharp, tapered terminals, while the serifs read as small, bracketed wedges that help keep the forms anchored. The italic slant is pronounced and consistent, creating a fast left-to-right rhythm, and the proportions show noticeable variation between narrow and broad letters, giving lines a lively, modeled texture. Counters are compact in many glyphs, and many strokes end in pointed, blade-like finishes that heighten the sense of precision.

This font is well suited to headlines, magazine and editorial typography, and other display-forward settings where contrast and italic movement can be appreciated. It can work for pull quotes, section openers, and book-cover titling, particularly in layouts that can accommodate its dense color and sharp details.

The overall tone is polished and traditional, with a distinctly dramatic, editorial voice. Its sharp contrast and energetic italic motion convey sophistication and confidence, suited to messaging that wants to feel established, stylish, and slightly theatrical rather than neutral.

The design appears intended to deliver a classic serif voice in an emphatic italic, combining traditional proportions with heightened contrast for impact. It prioritizes expressive stroke modulation and crisp finishing to create a refined, attention-grabbing presence in display and editorial contexts.

The italic design emphasizes curvature and diagonal stress, especially in round letters and numerals, which appear sculpted rather than geometric. In text, the strong contrast and tight inner spaces create a dense, dark color that reads best when given adequate size and breathing room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸