Sans Superellipse Agrer 2 is a bold, very narrow, monoline, upright, tall x-height font visually similar to 'Korolev' by Device and 'Entropia' by Slava Antipov (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, condensed, industrial, modern, utilitarian, punchy, space saving, display impact, modern utility, geometric consistency, rounded corners, rectilinear, compact, clean, high contrast (forms).
A condensed sans with compact proportions and rounded-rectangle construction throughout. Strokes stay largely even in thickness, with softened corners and squared terminals that keep the silhouettes tidy and sturdy. Counters are narrow and vertical, with a consistent rhythm that reads like a set of modular, engineered shapes rather than calligraphic drawing. The numerals and capitals share the same tall, tightly packed stance, creating a dense texture in text settings.
Well-suited to headlines, poster typography, packaging, and branding where space is limited but impact is needed. It can also work for signage and UI labels at medium-to-large sizes, especially when a compact, engineered look is desired. In longer text, it will be most effective for short bursts (pull quotes, captions, callouts) rather than comfortable continuous reading.
The overall tone feels industrial and no-nonsense, with a contemporary, signage-like directness. Its rounded corners temper the severity of the narrow build, giving it a friendly-but-firm voice that still feels technical and efficient.
The design appears intended to deliver maximum presence in a narrow footprint, using rounded-rect geometry to keep forms consistent and highly recognizable. It prioritizes a clean, modern structure and strong typographic color for display-forward communication.
The font’s superelliptical curves and vertical emphasis create strong word shapes at larger sizes, while the tight apertures and condensed spacing produce a dark, continuous typographic color in paragraphs. The design reads particularly coherent in all-caps and short lines where its compact geometry becomes a defining stylistic asset.