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Sans Superellipse Egly 3 is a light, very narrow, low contrast, italic, tall x-height font visually similar to 'Dean Gothic' by Blaze Type (names referenced only for comparison).

Keywords: headlines, subheads, posters, branding, packaging, sleek, modern, airy, elegant, dynamic, space saving, modern voice, editorial tone, display clarity, brand presence, condensed, oblique, monoline, rounded, clean.


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A condensed oblique sans with a monoline feel and softly rounded terminals. The overall construction is narrow and vertically stretched, with open counters and smooth, superellipse-like bowls that keep curves controlled rather than geometric-perfect circles. Strokes maintain an even thickness with minimal modulation, and the slant is consistent across capitals, lowercase, and figures, producing a continuous forward-leaning rhythm. Spacing appears measured and tidy, with a clean baseline and clear internal shapes that stay legible despite the compressed width.

Works well for editorial headlines, subheads, posters, and brand wordmarks where a condensed italic can add pace and sophistication. It can also fit packaging, UI accents, and short informational lines when space is limited and a modern tone is desired. Best results are likely in larger sizes or with comfortable leading to preserve clarity in dense settings.

The font reads as sleek and contemporary, with a fashion/editorial polish driven by its tall proportions and steady italic motion. Its restrained stroke treatment and rounded geometry keep it refined rather than aggressive, giving it a cool, efficient tone. The overall impression is airy and streamlined, suited to designs that want sophistication without ornament.

The design appears intended to deliver an efficient, space-saving silhouette with a distinctly modern italic voice. Its rounded, controlled curves and even stroke weight suggest a focus on clean reproduction and a polished typographic color. Overall, it aims to provide a streamlined sans with an elegant forward momentum for contemporary display typography.

Capitals are similarly narrow and upright in structure even when slanted, creating a uniform vertical texture in all-caps settings. Lowercase forms keep counters open and terminals simple, while numerals follow the same condensed, oblique logic for cohesive mixed text. The consistent curvature and smooth joins help maintain a clean texture at display sizes, where the slant becomes a prominent stylistic cue.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸