Print Yakiy 14 is a bold, narrow, medium contrast, italic, short x-height font.
Keywords: posters, branding, packaging, headlines, quotes, energetic, brushy, casual, expressive, vintage, handmade feel, display impact, brush texture, signage look, casual branding, dry brush, textured, slanted, organic, high energy.
A lively brush-script print with a pronounced rightward slant and a dry, textured stroke that creates ragged edges and occasional ink-breaks. Letterforms are compact and vertically oriented, with tight internal spaces and a slightly irregular baseline rhythm that reinforces the hand-drawn feel. Strokes show clear directionality from a broad, pressure-sensitive tool, yielding tapered entries and heavier downstrokes, while counters and bowls remain soft and rounded. Capitals are decorative and varied in structure, and lowercase forms mix simple printed shapes with script-like gestures, maintaining an overall cohesive brush texture.
Well-suited for short, impactful text such as posters, social media graphics, event promotions, and branded headings where a handmade brush look adds character. It can also work for packaging callouts, labels, and merchandise text when set at sizes large enough to preserve the textured stroke detail. For extended reading, it’s better used sparingly as an accent face.
The font communicates an upbeat, handmade personality with a slightly retro, sign-painter vibe. Its roughened brush texture and quick, confident movement feel informal and human, lending warmth and immediacy. The tone reads bold and attention-seeking without becoming overly formal or ornate.
The design appears intended to capture a fast, hand-painted brush marker aesthetic with visible texture and natural variation, prioritizing personality and movement over strict regularity. Its compact proportions and assertive strokes aim to deliver strong display presence while preserving an informal, handcrafted tone.
Texture is a defining feature: the dry-brush grain and uneven edges are consistent across letters and numerals, so the face reads best when that grit is allowed to show. Spacing appears naturally irregular, with some letters feeling more condensed than others, which enhances authenticity but can make long passages feel busy.