Sans Other Obha 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fat Albert BT' by Bitstream, 'Stallman' and 'Stallman Round' by Par Défaut, 'SbB Powertrain' by Sketchbook B, and 'Grendo' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, game ui, industrial, techno, arcade, military, retro, impact, signage, futurism, branding, utility, angular, blocky, octagonal, chamfered, stencil-like.
A heavy, block-built sans with squared proportions and frequent chamfered corners that create an octagonal feel. Strokes are uniform and rigid, with straight terminals and minimal modulation, giving the letterforms a cut-from-solid silhouette. Counters are small and mostly rectangular, and several joins and diagonals are simplified into stepped, geometric constructions. Spacing reads compact and punchy, with a tight rhythm that favors bold, sign-like clarity over delicacy.
Best suited for display applications where impact and a geometric, engineered personality are desired—headlines, posters, logos, packaging, and game or app UI accents. It can also work for labels, badges, and wayfinding-style graphics, especially when set with generous size and careful tracking to maintain legibility in dense text.
The overall tone is assertive and utilitarian, evoking industrial labeling and machine-made graphics. Its sharp chamfers and squared geometry also suggest retro game interfaces and sci-fi control panels, adding a playful techno edge to the otherwise strict, functional voice.
The font appears designed to deliver maximum punch with a strongly geometric, machined aesthetic. Its chamfered, blocky construction prioritizes a distinctive silhouette and a consistent industrial rhythm, aiming for immediate recognition and a bold, technical mood.
The design language is consistently angular across uppercase, lowercase, and numerals, with lowercase forms largely echoing the same rectilinear construction for a unified texture. The distinctive cut corners and squared apertures make the style instantly recognizable at display sizes and in short bursts of text.