Sans Other Obha 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Heavy Duty' by Gerald Gallo, 'Sicret' by Mans Greback, 'Stallman Round' by Par Défaut, 'Crazy Robot' by Sealoung, and 'Huberica' by The Native Saint Club (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, industrial, retro, arcade, assertive, mechanical, high impact, retro tech, modular build, signage, blocky, angular, stencil-like, notched, compact.
A heavy, block-constructed sans with squared proportions and sharply chiseled corners. Strokes are uniform and monoline, with frequent bevels, notches, and small rectangular counters that give many glyphs a cut-out, stencil-adjacent feel. Curves are largely suppressed in favor of straight segments; rounds like O/Q read as squarish forms with tight internal apertures. The rhythm is dense and compact, with short joins and crisp terminals that emphasize a machined, modular geometry across uppercase, lowercase, and figures.
Best suited for display settings such as headlines, posters, logos, and bold packaging where a compact, angular texture reads as intentional. It also fits UI labels or title cards in game and tech contexts, and can work for short signage or wayfinding when set with generous size and spacing.
The overall tone feels industrial and game-like, projecting a tough, utilitarian energy. Its pixel-adjacent angles and hard cuts suggest retro arcade graphics, tech interfaces, or rugged signage where impact matters more than refinement. The texture is bold and forceful, with a slightly aggressive edge created by the notches and beveled corners.
The design appears intended to deliver maximum impact through a modular, machined geometry—prioritizing strong silhouette, tight counters, and distinctive notches for instant recognizability. It aims to evoke a retro-industrial, arcade-inflected voice while remaining a straightforward sans structure for emphatic display typography.
Lowercase echoes the uppercase structure rather than introducing cursive traits, reinforcing a uniform, engineered voice. Counters are intentionally small and rectangular, boosting a stamped/engraved impression but making the design more display-oriented than text-oriented at smaller sizes. Numerals follow the same angular logic, producing a consistent, emblematic set for headings and labels.