Sans Superellipse Utmuj 6 is a bold, very wide, low contrast, upright, tall x-height font visually similar to 'Good Times' and 'Good Timing' by Typodermic (names referenced only for comparison).
Keywords: headlines, logos, posters, branding, signage, techy, futuristic, sporty, industrial, clean, futurism, display impact, brandability, system design, modernization, rounded, squared, geometric, modular, stencil-like.
A heavy, geometric sans built from rounded-rectangle and superellipse forms, with broad proportions and a compact internal rhythm. Curves resolve into squared-off terminals and corners, producing a distinctly modular silhouette across both cases. Counters are generous and mostly rectangular, while joins and bowls stay smooth and uniform, keeping the texture consistent in text. Several letters introduce small breaks or cut-ins that read as intentional detailing, giving the face a subtly stencil-like, engineered character rather than purely neutral geometry.
Best suited to display contexts where its broad stance and geometric detailing can read clearly—headlines, wordmarks, packaging, product identities, and environmental or digital signage. It can also work for short UI labels or interface titles when a futuristic, engineered tone is desired, though its strong personality is most effective in larger sizes.
The overall tone feels modern and synthetic, with a sleek, machine-made confidence. Its rounded-square geometry and deliberate interruptions evoke sci‑fi interfaces, motorsport branding, and contemporary product design, balancing friendliness from the soft corners with a controlled, technical edge.
The design appears intended to translate a rounded-square, superellipse construction into a bold, contemporary alphabet with consistent stroke behavior and a distinctive, technical signature. The small cut-ins and modular shaping suggest a deliberate attempt to differentiate the forms for branding impact while maintaining a cohesive, system-like geometry.
The wide set and strong horizontals create a stable, sign-like presence, while the single-storey lowercase forms and simplified constructions keep shapes bold and immediately legible. The numerals match the same rounded-rect logic, reinforcing a cohesive, systemized look across alphanumerics.