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Free for Commercial Use

Slab Square Togy 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Calanda', 'Foro', and 'Foro Rounded' by Hoftype; 'Metronic Slab Pro' by Mostardesign; 'Marek Slab' by Rosario Nocera; 'Etelka Slab' by Storm Type Foundry; and 'Gintona Slab' by Sudtipos (names referenced only for comparison).

Keywords: posters, sports branding, logos, packaging, headlines, sporty, assertive, retro, headline, energetic, impact, speed, ruggedness, display, slab-serif, blocky, bracketless, ink-trap, compact.


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A very heavy, right-leaning slab-serif with broad proportions and a compact, forceful silhouette. Strokes are low-contrast and largely monolinear, ending in blunt, square slabs and flat terminals that emphasize weight and stability. The outlines show purposeful cut-ins and notches at joins and inside corners, giving the forms a slightly engineered, punchy texture while keeping counters open enough for display sizes. Overall spacing and rhythm feel dense and muscular, with strong horizontals and sturdy verticals that read cleanly in bold settings.

Best suited to headlines, posters, and branding where immediate impact is required—especially sports identities, event promotions, and bold packaging. It also works well for short pull quotes or display subheads where the heavy slabs and italic stance can carry the hierarchy without relying on additional decoration.

The tone is confident and high-impact, with a retro athletic flavor reminiscent of sports branding and bold editorial titling. Its forward slant and chunky slabs add speed and urgency, while the squared finishing details keep it grounded and authoritative.

This design appears intended to deliver maximum punch and legibility at display sizes by combining hefty slab serifs, squared terminals, and a dynamic italic angle. The added corner notches and cut-ins seem aimed at sharpening the texture and preventing heavy shapes from feeling overly soft or clogged.

The capitals project a particularly solid, poster-like presence, while the lowercase maintains a pragmatic, workmanlike structure suited to short bursts of text. Numerals match the weight and stance of the letters, reinforcing a cohesive, sign-painter-meets-scoreboard feel.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸