Sans Other Objo 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Brocks' by Par Défaut and 'Grendo' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming ui, title cards, industrial, techno, arcade, stencil-like, brutalist, impact, futuristic feel, modular system, signage clarity, retro gaming, blocky, angular, faceted, notched, monoline.
A heavy, block-constructed sans with squared proportions, sharp corners, and frequent 45° chamfers that create a faceted silhouette. Strokes are monoline and compact, with rectangular counters and occasional notches that read like cut-ins rather than curves. Terminals are flat and geometric, and the overall rhythm is dense with tight internal space, giving text a solid, tiled texture. The design favors hard-edged geometry throughout, with minimal rounding and a strong emphasis on straight segments and stepped joins.
Best suited to short, high-impact settings such as headlines, posters, title treatments, and logo wordmarks where its faceted geometry can be appreciated. It can also work well for gaming and interface branding, packaging callouts, and event graphics that benefit from a bold, industrial voice. For extended reading, larger sizes and generous tracking help preserve clarity of the tight apertures and rectangular counters.
The font projects a tough, mechanical tone that feels at home in game UI, sci‑fi interfaces, and industrial graphics. Its angular cutouts and chiseled shapes suggest engineered hardware, retro arcade lettering, and signage made from routed or stamped material. Overall, it reads assertive and utilitarian rather than friendly or conversational.
The design appears intended to deliver a bold, modular look using straight strokes, chamfered corners, and carved-in notches to evoke a machined or pixel-adjacent aesthetic. It prioritizes graphic presence and a cohesive geometric system over softness or typographic neutrality, aiming for a distinctive display voice.
Uppercase and lowercase share a closely related construction, with many forms appearing as compact variants rather than fully cursive or calligraphic counterparts. Numerals follow the same squared, notched logic, keeping a consistent, modular feel across alphanumerics. The dense black shapes and tight apertures make it most effective at larger sizes where the internal cuts and counters remain clearly visible.