Sans Other Objo 3 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, game ui, sports branding, industrial, arcade, brutalist, military, techno, impact, mechanical tone, display clarity, graphic branding, retro tech, angular, chamfered, blocky, compact, stencil-like.
A heavy, block-constructed sans with squared counters, hard corners, and frequent chamfered cuts that create a faceted, mechanical silhouette. Strokes are consistently thick and monolinear, with geometry built from straight segments and right angles rather than curves; bowls and apertures tend to be rectangular, and joins often form sharp notches. The spacing reads fairly tight and dense, and the overall rhythm is rigid and modular, with distinctive wedge cuts and corner bevels providing differentiation between similarly shaped forms.
Best suited to bold display settings such as posters, titles, packaging, and logo wordmarks where a hard-edged, mechanical voice is desired. It can also work well for game interfaces, event graphics, and team or esports-style branding, especially when set with extra letterspacing to preserve clarity.
The face conveys a tough, engineered attitude—more utilitarian than friendly—evoking industrial signage and retro digital display aesthetics. Its sharp cuts and compact forms add a sense of urgency and impact, giving it a loud, game-like or combat-ready tone when set in headlines.
Likely designed to deliver maximum punch with a geometric, carved look—using chamfers and rectangular counters to create a distinctive, industrial display voice while remaining broadly sans in construction. The emphasis appears to be on immediate visual impact and a rugged, techno-graphic personality rather than neutral text readability.
Several glyphs lean on internal rectangular counters and carved-in notches, which can make certain letters feel deliberately cryptic and emblematic. The design’s strong repetition of straight edges produces high visual consistency, but the reduced openness of some apertures suggests it will read best at larger sizes or with generous tracking when used in longer lines.