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Free for Commercial Use

Serif Other Wira 13 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Matchbox Font Collections' by Adam Fathony, 'Rodfat' by Rizki Permana, and 'Garcon Grotesque' by Thomas Jockin (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, book covers, assertive, retro, editorial, dramatic, stately, display impact, retro authority, distinctive texture, headline clarity, bracketed serifs, flared terminals, ink traps, spurred, wedge-like.


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This typeface is a heavy, display-oriented serif with broad proportions and strong, compact stroke masses. Serifs are pronounced and mostly bracketed, often resolving into wedge-like or flared terminals that create a carved, slightly calligraphic silhouette. Curves are full and rounded, while joins and internal corners show small notches and trapping-like cut-ins that sharpen counters and add crispness at large sizes. Spacing feels open for the weight, and the overall rhythm alternates between sturdy verticals and assertive, tapering details in the arms and terminals.

Best suited to headlines, subheads, and short passages where the weight and distinctive serif shaping can carry a visual identity. It works well for posters, packaging, and branding systems that want a retro-leaning, authoritative serif presence, and for book or magazine covers where strong typographic contrast is needed at display sizes.

The tone is bold and emphatic, with a vintage editorial flavor that reads as confident and slightly theatrical. Its chunky forms and chiseled terminal behavior suggest a classic, attention-getting voice suited to strong headlines rather than quiet body text.

The design appears intended to deliver maximum impact through heavy serifs, broad forms, and distinctive terminal shaping, adding decorative nuance without relying on high stroke contrast. The small trapping-like notches and wedge terminals suggest a deliberate effort to keep counters clear while giving the face a chiseled, memorable signature in large-scale typography.

The numerals and capitals maintain a consistent, poster-like solidity, while lowercase forms keep the same energetic terminal shaping, producing a cohesive, high-impact texture. The design’s distinctive notches and flares become more apparent in longer text, contributing to a recognizable, decorative serif character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸