Wacky Lakuh 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Panton Rust' by Fontfabric, 'Maison Neue' by Milieu Grotesque, 'Jukotha' by Twinletter, and 'Montilla' by Zafara Studios (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, kids media, playful, cartoon, rough, quirky, punchy, attention grab, handmade feel, comic tone, texture display, logo friendly, stenciled, distressed, chubby, blocky, rounded.
A chunky, heavy sans with rounded geometry and compact counters, set on an upright, poster-like skeleton. Many glyphs include irregular interior cut-ins and chipped voids that read like stencil breaks or distressed bites, giving the shapes a deliberately imperfect texture. Curves are broadly drawn and terminals are blunt, producing a dense, high-impact silhouette; bowls and counters tend toward circular/oval forms, while diagonals (like in V/W/X) stay thick and stable. Overall rhythm is consistent, with the distressed details providing most of the variation rather than changes in stroke logic.
Best suited to short, bold display settings where the distressed texture can be appreciated—posters, headlines, logos/wordmarks, packaging accents, stickers, and playful branding. It can also work for kids-oriented or comic-style titles and event graphics, but is less appropriate for long-form text due to its heavy color and interior disruptions.
The distressed cutouts and bulbous proportions create a playful, mischievous tone with a DIY, comic feel. It reads as intentionally wacky and attention-seeking, more about personality than neutrality, with a slightly gritty, cut-paper or stamped vibe.
This design appears intended to deliver maximum impact with a humorous, handcrafted edge—combining a friendly, rounded display base with deliberate stencil-like damage to create a distinctive, one-off voice.
The inky breaks inside letters are prominent and can merge visually at smaller sizes, so the texture becomes the dominant feature in dense settings. Numerals and capitals carry the same chunky massing and cutout motif, keeping the set visually unified.