Sans Faceted Lyru 1 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, control panels, wayfinding, branding, posters, techno, industrial, sci‑fi, systematic, retro, geometric system, tech aesthetic, futuristic styling, instrumental clarity, faceted, octagonal, geometric, angular, squared terminals.
This typeface is built from straight strokes and chamfered corners, replacing most curves with crisp, multi‑sided facets. The forms read as geometric and constructed, with consistent stroke thickness and a disciplined grid-like rhythm. Round letters such as O, C, and G become octagonal shells, while joins and terminals tend to end in clipped, angled cuts that keep counters open and shapes legible. Lowercase follows the same hard‑edged logic, mixing compact bowls with squared shoulders and simple, engineered diagonals; numerals echo the octagonal motif, including a slashed zero.
It works well for interface labels, HUD-style graphics, technical diagrams, and control-panel typography where a structured, engineered look is desired. The strong angular identity also suits logos, titles, and poster headlines that want a futuristic or industrial edge while maintaining clear letterforms.
The overall tone feels technical and machine-made, suggesting instrumentation, coding, and digital interfaces. Its faceted geometry adds a subtle sci‑fi flavor, while the strict repetition of angles gives it a utilitarian, industrial character.
The design appears intended to translate a sans skeleton into a faceted, polygonal system, prioritizing consistent angles and modular construction over smooth curvature. It aims to deliver a distinctive “machined” voice that remains readable in short to medium text settings.
The design relies on repeated chamfers as a unifying motif, creating a consistent sparkle of angled corners across caps, lowercase, and figures. Circular counters are frequently rendered as polygonal apertures, and several glyphs emphasize construction through flat horizontals and decisive diagonals.