Sans Rounded Sego 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Dexa Round' by Artegra, 'European Sans Pro' by Bülent Yüksel, 'Laro Soft' by Larin Type Co, 'Closer' by Mint Type, 'Jindo' by Nine Font, 'Genora Sans' by Pixesia Studio, and 'Mundial' by TipoType (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids, stickers, playful, friendly, chunky, retro, bouncy, approachability, playfulness, display impact, retro charm, soft geometry, soft, rounded, puffy, informal, cartoonish.
A heavy, slanted sans with generously rounded corners and fully softened terminals. The letterforms are wide and compact, with large enclosed counters and smooth, simplified geometry that avoids sharp joins. Strokes maintain an even, monoline feel, while the oblique angle and bulbous shaping create a bouncy rhythm across words. Numerals and lowercase share the same plump construction, with single-story forms where expected and clear, open apertures that favor friendliness over precision.
Best suited for short, high-impact typography such as headlines, posters, brand marks, packaging, and social graphics where a warm, playful voice is needed. It also fits kid-oriented materials and casual signage, especially when used at medium-to-large sizes where its rounded details and counters stay clear.
The overall tone is cheerful and approachable, leaning into a fun, retro-pop personality. Its soft weight and rounded construction read as casual and welcoming, with a hint of comic and toy-like exuberance rather than corporate neutrality.
Designed to deliver a bold, friendly presence with softened geometry and an energetic slant, prioritizing approachability and visual punch. The forms emphasize smoothness and charm, aiming for an expressive display voice that feels fun and contemporary with retro undertones.
The slant is consistent across the set and pairs with broad proportions to create strong horizontal momentum in text. At display sizes the silhouettes remain distinctive, but the dense, rounded shapes suggest careful spacing and line-length choices for longer passages.