Sans Faceted Mima 5 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, arcade, mechanical, assertive, impact, geometric system, sci-fi feel, display clarity, brand presence, angular, faceted, chamfered, blocky, squared.
This typeface is constructed from blocky, faceted strokes that replace curves with sharp planar cuts and chamfered corners. Letters are built on squared geometry with crisp terminals, compact counters, and a generally even stroke presence, giving the set a sturdy, poster-like color on the page. Round shapes (like O and 0) become octagonal/rectilinear forms, while diagonals are steep and clean, producing a taut rhythm in both uppercase and lowercase. Figures share the same hard-edged language, with simplified, straight-sided forms that read clearly at display sizes.
Best suited to headlines, branding marks, and short display copy where its angular construction can be appreciated. It also fits game/UI titling, tech-themed graphics, and packaging or label-style layouts that benefit from a rugged, mechanical presence. For extended reading, it will be more effective in larger sizes where counters and facets remain distinct.
The overall tone is technical and industrial, evoking arcade-era digital graphics, stenciled machinery labeling, and angular sci‑fi interfaces. Its sharp facets and dense silhouettes feel forceful and utilitarian, with a distinctly constructed, mechanical personality rather than a friendly or humanist one.
The design intention appears to be a sharp, geometric display face that translates curved letterforms into planar facets for a distinctly engineered look. It prioritizes impact and a cohesive angular system across letters and numerals, aiming for a modern, industrial voice with strong silhouette recognition.
Spacing appears relatively tight in the sample text, reinforcing a compact, engineered texture. The lowercase is stylistically consistent with the caps, leaning toward geometric, built-up shapes rather than calligraphic forms, which helps maintain a uniform, modular voice across long lines of text.