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Free for Commercial Use

Calligraphic Bala 3 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Humanist 777' by Bitstream; 'Frutiger', 'Frutiger Arabic', and 'Frutiger Next Paneuropean' by Linotype; 'Interval Next' by Mostardesign; 'FreeSet' by ParaType; and 'LP Cervo' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, book covers, branding, warm, friendly, vintage, storybook, handcrafted, approachability, nostalgia, handmade feel, display impact, soft, rounded, flared, bouncy, display.


Free for commercial use
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A heavy, soft-edged letterform with gently flared terminals and subtle stroke modulation that gives a hand-shaped, inked feel. Curves are generously rounded and counters are compact, creating a dense, punchy color on the page. The design shows an easy, slightly bouncy rhythm with small irregularities in joins and curves that keep it from feeling mechanical. Lowercase forms lean toward simple, readable constructions with a single-storey a and g, and the figures are sturdy with rounded corners and broad forms suited to larger sizes.

Best suited to display settings such as posters, headlines, packaging, and book or album covers where its bold, rounded presence can carry personality. It also fits branding that wants a handcrafted, approachable voice, and short UI or label text where a friendly emphasis is needed.

The overall tone is warm and personable, with a nostalgic, storybook flavor. Its softened shapes and hand-finished details feel inviting and informal while still retaining a tidy, deliberate structure.

The font appears designed to blend calligraphic influence with a sturdy display build, prioritizing warmth and character over strict geometric regularity. Its softened terminals and slight stroke modulation suggest an intention to evoke hand-rendered lettering while maintaining clear, readable silhouettes.

The weight and compact counters can cause interior spaces to close up at small sizes, but the broad silhouettes and rounded terminals keep the texture approachable. The uppercase reads confidently for headings, and the numerals match the same friendly, softened construction for cohesive titling.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸