Sans Superellipse Remuy 3 is a light, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, ui labels, modern, minimal, technical, airy, clean, space saving, modernism, clarity, compact display, systematic geometry, condensed, rounded, linear, geometric, tall.
A tall, tightly set sans with uniform stroke weight and a distinctly narrow footprint. Curves are built from rounded-rectangle geometry, producing soft corners and vertically oriented counters—especially evident in O/Q/0 and the bowls of b/d/p/q. Terminals are clean and straightforward, with gentle rounding that keeps the texture smooth at display sizes. The uppercase set reads structured and architectural, while the lowercase maintains the same disciplined rhythm with compact apertures and streamlined joins.
Well suited to headlines, posters, and short brand statements where a compact, modern look is desired. Its narrow width helps fit long titles into tight spaces, making it useful for packaging, wayfinding labels, and interface headings or navigation items. It can also work for minimalist logo wordmarks where a tall, rounded-rect geometry complements a contemporary identity.
The overall tone is modern and restrained, with a technical, engineered feel tempered by rounded corners. Its narrow proportions create an efficient, space-saving voice that reads precise rather than expressive. The light strokes and open vertical rhythm give it an airy, contemporary presence.
The design appears intended to deliver a space-efficient, contemporary sans that blends strict vertical structure with softened, rounded-rectangle forms. The goal seems to be a clean, technical aesthetic with a friendly edge, optimized for concise messaging and visually tidy layouts.
Numerals follow the same condensed, rounded-rect logic, with simple forms and consistent alignment that supports tabular-like regularity in blocks of text. The sample text shows even color and a steady vertical cadence, though the narrow apertures and tall forms can feel more at home in headlines than long passages at small sizes.