Sans Normal Budet 9 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FF Transit' by FontFont; 'Avenir Next', 'Avenir Next Paneuropean', 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'FreeSet' by ParaType; 'Fenomen Sans' by Signature Type Foundry; and 'Adora Compressed PRO' by preussTYPE (names referenced only for comparison).
Keywords: ui text, wayfinding, editorial, brand systems, presentation, neutral, modern, clean, practical, friendly, everyday legibility, neutral voice, modern utility, clear signage, grotesque, rounded terminals, open apertures, large counters, balanced proportions.
A clean sans serif with broadly circular curves, low stroke modulation, and a steady, even color across words. The letterforms show generous counters and open apertures (notably in C, e, and s), with softly rounded joins and terminals rather than sharp cuts. Uppercase proportions feel sturdy and straightforward, while the lowercase keeps a simple, contemporary structure with a single-storey g and a compact, efficient rhythm in text. Numerals are plain and readable, with rounded forms and consistent stroke weight that matches the letters well.
Well-suited to interface labels, product typography, and general-purpose graphic design where predictable legibility is key. It also works for signage and wayfinding thanks to open forms and clear character separation, and can serve as a neutral backbone in brand systems and presentations.
The overall tone is neutral and contemporary, aiming for clarity more than personality. Its rounded curves and open shapes give it a mild friendliness, while the restrained detailing keeps it professional and utilitarian.
The design appears intended as an all-purpose sans for clear, contemporary communication, emphasizing open forms, even texture, and unobtrusive shapes that stay readable across a range of sizes.
In the sample text, spacing and stroke weight produce an even texture that holds together well at display sizes while remaining legible in longer lines. Shapes like O/Q and 0 are clearly differentiated by form details, and the punctuation and capitals maintain the same straightforward, no-nonsense construction.