Sans Superellipse Poraz 12 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Lost and Foundry' by Fontsmith; 'Evening Edition JNL', 'Late Breaking News JNL', and 'Special Edition JNL' by Jeff Levine; 'Nata' by MysticalType; and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, condensed, industrial, poster-like, confident, retro, space-saving impact, industrial clarity, display emphasis, geometric, squared-round, blocky, tall, compact.
A tall, tightly condensed sans with heavy, uniform strokes and rounded-rectangle (superelliptic) construction. Curves and counters are squarish and softened at the corners, keeping forms compact and vertical. Terminals are mostly flat and clean, with minimal modulation and a steady, mechanical rhythm. Uppercase and lowercase share a narrow footprint; lowercase uses single-storey shapes where applicable and maintains compact apertures, while figures follow the same condensed, blocky logic.
Best suited to display settings where vertical economy and impact are priorities—headlines, posters, signage, labels, and bold brand wordmarks. It can work for short subheads or UI accents when used with generous size and spacing, but it is less ideal for long-form reading due to its condensed letterforms and dense texture.
The overall tone is assertive and utilitarian, with a streamlined, engineered feel. Its condensed stance and squared-round curves evoke vintage industrial signage and display typography while remaining straightforward and contemporary.
The design appears aimed at delivering maximum presence in minimal horizontal space, pairing a sturdy, uniform stroke with softened, squared geometry for a clean industrial voice. It prioritizes consistency and punch over delicacy, making it well suited to attention-getting typography with a structured, modern edge.
The condensed proportions and compact counters create strong vertical texture and tight word shapes, making spacing and line breaks feel dense. Rounded corners prevent the heavy weight from feeling brittle, but small sizes may risk interior filling in due to the narrow apertures.