Sans Superellipse Rager 9 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Coign' by Colophon Foundry; 'Ikigai', 'Sharp Grotesk Latin', and 'Sharp Grotesk Paneuropean' by Monotype; 'Agharti' by That That Creative; and 'Aeternus' by Unio Creative Solutions (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, industrial, condensed, modern, assertive, utilitarian, space saving, high impact, signage clarity, geometric consistency, branding, rectilinear, squared, rounded corners, monoline, compact.
A tightly condensed sans with heavy, monoline strokes and a strong vertical rhythm. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish, superelliptical feel rather than true circles. Terminals are clean and blunt, apertures are compact, and interior counters stay narrow, producing a dark, continuous texture in text. The lowercase sits tall relative to the capitals, and the overall silhouette reads disciplined and engineered.
Best suited to short, high-impact settings such as headlines, poster typography, packaging fronts, wayfinding, and bold brand wordmarks. It can also work for sports or industrial-themed identities and for compact numeric readouts when set with enough size and spacing.
The tone is bold and no-nonsense, with an industrial clarity that feels contemporary and functional. Its compact shapes and squared-round construction evoke signage, equipment labeling, and modern display typography where impact and efficiency matter more than softness or warmth.
The design appears intended to deliver maximum presence in minimal horizontal space while keeping forms simple, consistent, and highly repeatable. Its squared-round construction suggests a goal of combining modern geometry with the practical readability cues of a straightforward sans.
The font maintains consistent stroke weight and tight internal spacing, so it prefers generous tracking and larger sizes for best legibility. Round letters (like O/C/G) retain a distinctive squarish curvature, reinforcing a technical, modular personality across the set. Numerals match the same condensed, blocky rhythm, keeping headlines and data-heavy settings visually unified.