Sans Contrasted Kiby 11 is a regular weight, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, logotypes, posters, branding, packaging, futuristic, techy, modular, edgy, display, signature motif, high impact, futuristic tone, geometric clarity, geometric, stencil-like, inline cuts, sharp joins, circular bowls.
A geometric sans with dramatic thick–thin modulation and frequent horizontal inline cuts that read almost like stencil breaks. Many bowls are near-perfect circles, while verticals and diagonals can collapse to hairline strokes, creating a high-contrast, engineered rhythm. Terminals are largely straight and squared, with crisp joins and occasional wedge-like diagonals. Proportions feel built from simple primitives, but widths vary noticeably by glyph, giving the line a dynamic, uneven texture in running text.
This design is well suited to short, high-impact settings such as headlines, event posters, album art, product packaging, and identity marks where its inline-cut motif can be a signature element. It also fits technology, gaming, and speculative-fiction themed graphics. For longer passages, it will perform best when set larger with generous spacing to preserve the thin strokes and interior breaks.
The font projects a sleek, sci‑fi attitude—part digital instrument panel, part modernist display. The cut-through counters and razor-thin strokes add tension and speed, making it feel experimental and tech-forward rather than neutral. Overall it reads bold, stylized, and slightly aggressive in tone.
The type appears intended as a distinctive display sans that merges geometric construction with stencil/inline interruptions to create a memorable, futuristic texture. Its contrast and engineered cutlines prioritize character and motif over neutrality, aiming to stand out in branding and titling contexts.
The horizontal cutlines are a defining motif across both uppercase and lowercase, and they can dominate the interior space of letters like O, e, and s. Hairline segments and tight apertures suggest the design is best suited to sizes where the contrast and internal cuts remain clearly visible. Numerals follow the same language with circular forms and prominent internal breaks.