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Sans Contrasted Kifo 5 is a light, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, logotypes, magazine titles, futuristic, editorial, minimal, techy, stylish, experimentation, display impact, modernity, graphic patterning, brand distinctiveness, monoline accents, stencil-like, striped joins, geometric, crisp.


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A geometric sans with extreme thick–thin interplay created by bold, rounded strokes intersected by hairline connectors and cuts. Many forms read as solid black segments that are visually “spliced” by fine vertical stems or narrow gaps, producing a striped, almost stencil-like construction. Curves are clean and near-circular in O/C/G and the bowls of B/P/R, while diagonals in V/W/X/Y are sharp and graphic, often tapering into hairline terminals. Counters are generally open and simple, and the overall rhythm alternates between heavy blocks and delicate lines for a highly stylized texture.

Best suited to display typography where its heavy-and-hairline construction can be appreciated: headlines, poster titles, branding and logotypes, packaging accents, and editorial or fashion-style mastheads. It can also work for short UI or tech-themed labels when set large, but it is less suited to long-form text where the internal cuts and hairlines may distract.

The font projects a sleek, experimental tone—simultaneously elegant and technical. Its sliced geometry and hairline details evoke sci‑fi interfaces, fashion mastheads, and contemporary design systems where precision and contrast are part of the voice. The look is attention-grabbing and designed to feel modern rather than neutral.

The design appears intended to reinterpret a clean geometric sans through dramatic segmentation and hairline joins, turning familiar letterforms into a distinctive visual system. It prioritizes striking word-shapes and modern patterning over conventional text neutrality, aiming for a premium, contemporary display voice.

The distinctive horizontal “banding” through many round letters and digits creates strong patterning in words, especially at larger sizes. Very thin connector strokes and interior cuts are a key part of the identity and can visually soften or disappear at small sizes or on low-resolution output, while at display sizes they create a refined, high-end effect.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸