Sans Superellipse Iswe 2 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Churchward 69' by BluHead Studio (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, app titles, sporty, retro, energetic, bold, tech, impact, speed, branding, display, distinctiveness, compressed counters, rounded corners, ink traps, stencil slits, slanted terminals.
A heavy, forward-slanted display sans built from rounded-rectangle geometry and softened corners. Letterforms are broad and blocky with tightly controlled counters and consistent, chunky strokes; many joins and inner corners open into small cut-ins that read like ink traps or stylized notches. Terminals are blunt and slightly angled, and the overall rhythm is compact and forceful, with minimal whitespace inside letters and assertive, squared curves.
Best suited to headlines and short bursts of text where its weight, slant, and notched details can read clearly—such as posters, packaging fronts, team or motorsport identities, game titles, and energetic campaign graphics. It can also work for large UI titles or section headers when a punchy, engineered look is desired.
The tone feels fast, competitive, and slightly industrial—like racing graphics or athletic branding—while the rounded construction keeps it approachable rather than aggressive. The notched details add a mechanical, engineered flavor that nudges it toward retro-futurist and arcade/sci‑fi contexts.
The design appears intended to deliver maximum impact and speed through a slanted stance, broad proportions, and dense, confident shapes, while using rounded-rectangle forms and strategic cut-ins to create a distinctive, performance-oriented voice. The result prioritizes recognition and texture in display settings over quiet neutrality in long text.
The uppercase shows strong, simplified silhouettes that hold up well at large sizes, while the lowercase keeps the same blocky, italicized stance for consistent texture in words. Numerals match the same squared-round build and tight internal spacing, reinforcing a cohesive headline set. The distinctive internal slits and corner cut-ins are a key identifier and will become more pronounced as sizes increase.