Sans Other Ibze 6 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'DuGrotesk' by Dutype Foundry, 'Live Grotesk' by Matt Chansky, 'Helvetica Now' by Monotype, 'Britti Sans' by Nois, and 'Reyhan' by Plantype (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, album art, industrial, glitchy, stamped, playful, gritty, display impact, texture injection, brand distinctiveness, industrial feel, cutout, notched, chunky, high-impact, quirky.
A heavy, geometric sans with compact, squared-off construction and rounded bowls, set with a steady, poster-like rhythm. Strokes are largely monolinear with subtle contrast from internal shaping, and corners are mostly blunt rather than crisply sharp. Many glyphs include consistent “bite” cutouts/notches along stems and joins, creating small counters and ink-trap-like voids that give the face a punctured, engineered texture. Uppercase forms stay broad and blocky, while lowercase characters retain simple, single-storey silhouettes where applicable, keeping shapes legible but intentionally irregular in their detailing.
Best suited to short, high-impact settings such as posters, headlines, logotypes, and packaging where the cutout detailing can be appreciated. It can also work for album art or event graphics that benefit from a gritty, engineered texture, while longer text will feel dense and visually busy.
The repeated notches and cutouts push the tone toward industrial signage and DIY print effects—part stencil, part distressed display. It reads energetic and slightly mischievous, with a deliberate glitch/defect character that feels contemporary and experimental rather than neutral.
The design appears intended to take a straightforward sans skeleton and inject personality through systematic cutouts and notched joins, producing a distinctive display voice without abandoning core geometric readability. The consistent texturing suggests a goal of creating a recognizable brand texture reminiscent of stamped, punched, or mechanically altered letterforms.
The cutout motif is applied across letters and figures, giving numerals the same punctured texture as the alphabet. The texture becomes more apparent at larger sizes, where the internal notches read as a designed feature rather than incidental rendering.