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Sans Superellipse Mamaj 12 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'Korolev' and 'Korolev Rough' by Device, 'Adhesive Letters JNL' by Jeff Levine, 'MVB Diazo' by MVB, 'Epilepsja' and 'Epilepsja Round' by Mikołaj Grabowski, and 'Double D NF' by Nick's Fonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, stickers, playful, chunky, friendly, retro, toy-like, impact, approachability, retro flair, bold branding, graphic texture, rounded, soft corners, compact, sturdy, high-contrast-free.


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A heavy, compact sans with rounded-rectangle geometry and consistently softened corners. Strokes remain even throughout, producing dense letterforms with small interior counters and a strong, blocky silhouette. Curves are built from superellipse-like shapes rather than true circles, giving bowls and terminals a squared-off roundness. The lowercase shows a tall x-height and short extenders, while the numerals and capitals keep a steady, poster-ready rhythm with minimal detail and no sharp joins.

Best suited to large-scale applications where its chunky shapes and rounded-square construction can read clearly: headlines, posters, packaging, and logo/wordmark work. It also fits playful retail signage, children’s or casual brands, and bold UI accents where a friendly, high-impact voice is needed.

The overall tone is bold and approachable, with a toy-like softness that feels upbeat rather than aggressive. Its rounded, cushiony shapes suggest a retro display sensibility—warm, informal, and attention-seeking. The compact spacing and thick forms communicate confidence and immediacy, making it feel friendly and fun.

This design appears intended to deliver maximum impact with minimal stroke contrast, using rounded-rectangle anatomy to create a distinctive, soft-edged block aesthetic. The tall x-height and simplified details prioritize quick recognition and a cohesive, graphic texture in short lines of text.

At smaller sizes the tight counters and dense weight can cause letters like e/o/a and 6/8/9 to darken and visually close up, while at larger sizes the smooth superellipse construction becomes a key stylistic feature. The uppercase and lowercase share a consistent softness, helping mixed-case settings feel cohesive and highly graphic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸