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Free for Commercial Use

Sans Superellipse Bymol 2 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Coign' by Colophon Foundry, 'Segment B Type' by Kobuzan, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Agharti' by That That Creative (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, condensed, industrial, posterlike, architectural, retro, space saving, high impact, signage clarity, modern geometry, monoline, squared-round, compact, tall, vertical.


Free for commercial use
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A tightly condensed sans with monoline strokes and rounded-rectangle (superellipse) construction. Curves are squared-off and softly radiused, producing narrow bowls and compact counters, while vertical stems dominate the rhythm. Proportions are tall and compressed, with short crossbars and minimal internal spacing; terminals are clean and mostly flat, keeping the silhouette crisp. Numerals and capitals follow the same vertical, streamlined geometry for a consistent, columnar texture in text.

Best suited to headlines and display settings where vertical emphasis and space-saving width are desirable—posters, signage, packaging panels, mastheads, and bold branding lockups. It can also work for short UI labels or navigation where a tall, condensed voice is needed, provided sizes allow counters to stay open.

The overall tone feels utilitarian and punchy, with a sleek, metropolitan edge. Its compressed shapes read as confident and assertive, lending a modern-industrial character with a subtle retro poster and signage flavor.

The design appears aimed at delivering maximum impact in minimal horizontal space, using a consistent superelliptical skeleton to keep forms clean, modern, and highly regular. It prioritizes a strong vertical rhythm and compact shapes for attention-grabbing, space-efficient typography.

Because counters are tight and joins are compact, the font creates a dense, high-impact gray value, especially in longer lines. Round letters like O/C/G and the curved parts of B/S show a distinctly squared-round modulation, reinforcing a technical, engineered look.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸