Sans Superellipse Omrez 5 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Rhea' by Dominik Krotscheck, 'Colosso' by More Etc, and 'Treadstone' by Rook Supply (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, apparel, retro, punchy, playful, compact, friendly, impact, space saving, retro flavor, friendly boldness, print resilience, rounded, blocky, soft corners, compressed, high contrast ink-trap.
A compact, heavy sans with rounded-rectangle construction and softly squared curves throughout. Strokes are broadly even and full, with tight interior counters and slightly pinched joins that create subtle ink-trap-like notches in letters such as M, N, V, and W. The overall rhythm is condensed and vertical, with sturdy stems, short crossbars, and a consistent superelliptical geometry that keeps rounds (O, C, G, e, o) looking squarish rather than circular. Terminals are blunt and rounded, and the numerals follow the same chunky, compact proportions for a uniform, poster-ready texture.
Best suited to large-size applications where its dense weight and condensed proportions can deliver impact: headlines, posters, packaging, labels, logo wordmarks, and merch/apparel graphics. It can also work for short UI headings or badges where a compact, friendly display voice is needed, but it’s less ideal for long passages due to tight counters and heavy texture.
The tone is bold and upbeat, with a distinctly retro display feel. Its soft-cornered squareness reads friendly rather than aggressive, while the tight spacing and dense color give it an assertive, attention-grabbing voice suited to headlines.
The design appears intended to merge condensed display efficiency with soft, rounded-rectangle forms, producing a bold sign-painting/poster flavor while keeping a clean sans structure. The small ink-trap-like details at joins suggest an effort to preserve shape definition in heavy strokes and in print-like conditions.
Lowercase forms maintain strong structural simplicity and small apertures (notably in e and a), which increases the font’s solid, dark texture at text sizes. The shapes favor clarity through large, simplified masses, and the punctuation and figures visually match the same compact, rounded-block language.