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Free for Commercial Use

Sans Superellipse Osdut 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bergk' by Designova, 'Broadside' by Device, 'Monotage' by Fargun Studio, 'FS Industrie' by Fontsmith, 'Neusa Neu' by Inhouse Type, and 'Treadstone' by Rook Supply (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, industrial, sporty, punchy, retro, utilitarian, space saving, bold impact, graphic clarity, brand voice, condensed, blocky, rounded corners, rectilinear, high impact.


Free for commercial use
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A compact, heavy sans with squared-off construction softened by rounded corners and superelliptical curves. Strokes are consistently thick with minimal modulation, producing dense counters and a sturdy, poster-like color. Terminals are blunt and verticals dominate, while bowls and apertures tend toward rounded-rectangle shapes rather than pure circles. The lowercase is simple and sturdy, with compact proportions and short, firm joins; numerals follow the same blocky rhythm for uniform texture in mixed settings.

Best suited to headlines, short copy, and bold statements where compact width and strong presence are assets. It works well for posters, packaging, labels, wayfinding, and branding systems that need a durable, industrial voice. In longer text, it will be most effective at larger sizes with generous leading and careful tracking.

The tone is assertive and no-nonsense, combining a utilitarian, engineered feel with a slightly retro display sensibility. Its compact mass and rounded-rect geometry give it a confident, sporty punch without becoming playful.

This font appears designed to deliver maximum impact in a condensed footprint, using rounded-rect forms to keep the texture friendly while remaining firm and authoritative. The consistent stroke weight and blunt terminals prioritize visibility and graphic strength for display-driven applications.

The design maintains a tight horizontal footprint and a strong vertical rhythm, making word shapes feel stacked and solid. Counters are relatively small at this weight, so spacing and size choices will strongly affect clarity in longer passages.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸