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Free for Commercial Use

Solid Otmo 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bratsy Script' by Figuree Studio and 'Milvasten' by ahweproject (names referenced only for comparison).

Keywords: posters, headlines, logos, stickers, packaging, playful, quirky, chunky, retro, cartoon, maximum impact, graphic texture, handmade feel, novelty display, blobby, lumpy, irregular, inked, crude.


Free for commercial use
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A compact, heavy display face built from swollen, blobby forms with frequent flat chops and angled facets along the outer contour. Strokes read as uniformly thick, but the silhouettes wobble and bulge, creating an uneven rhythm across words. Counters and interior spaces are largely collapsed, so letters rely on their outer massing and distinctive notches to stay recognizable. Terminals are mostly blunt and rounded, with occasional sharp corners that add a cut-paper, stamped feel.

Best suited to short, attention-grabbing applications such as posters, event headlines, product packaging, stickers, and logo marks where texture and personality matter more than fine legibility. It can also work for playful social graphics or title cards, especially when set large and with extra spacing to prevent letterforms from clumping.

The overall tone is mischievous and informal, leaning toward cartoon signage and playful retro novelty. Its dense black shapes feel loud and humorous rather than refined, suggesting hand-made energy and deliberate imperfection. The collapsed interiors add a bold, poster-like punch that reads more as graphic texture than conventional letterform detail.

The font appears designed to maximize visual impact through solid, counterless shapes and an intentionally rough, uneven contour language. Its goal is expressive presence—creating bold word silhouettes and a distinctive, handmade-looking texture for display settings rather than continuous reading.

In text lines, the black coverage is very high, causing letters to merge visually and making spacing and word shapes do most of the work. The design performs best when given generous tracking and line spacing, and it benefits from high-contrast color pairings to preserve edge definition. Its irregular outlines create a lively texture, but small sizes will quickly turn into near-solid bands.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸