Print Immur 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, book covers, craft branding, handmade, rustic, organic, casual, playful, handmade feel, informal display, textured look, playful tone, brushy, textured, irregular, blobby, uneven.
A hand-drawn print style with thick, slightly variable strokes and visibly irregular edges that read like a marker or dry brush. Letterforms are mostly upright with simple, open constructions, but with intentionally uneven contours, softened corners, and occasional swell-and-taper moments. Proportions vary from glyph to glyph, with a loose baseline and inconsistent bowl roundness that contributes to an authentic handmade rhythm. Numerals and capitals match the same roughened texture and show minor width fluctuations that keep the texture lively in longer settings.
Best suited for short to medium display text where the textured, handmade edges can be appreciated—posters, titles, packaging, labels, and craft-forward branding. It can also work for pull quotes or section headers in editorial layouts when paired with a calmer text face, but the rough texture may be distracting for long body copy at small sizes.
The overall tone is casual and organic, with a rustic, slightly messy charm that feels approachable rather than polished. Its rough texture and uneven rhythm bring a playful, handmade personality that can also lean slightly spooky or storybook depending on context and color.
The design appears intended to mimic natural hand lettering with a brush/marker texture, prioritizing character and spontaneity over geometric consistency. Its slightly uneven rhythm and rugged edges suggest a deliberate “drawn by hand” feel meant to add warmth and informality to display typography.
The texture remains consistent across the set, and the strongest visual signature is the ragged outline and ink-like fill that creates a stamped/painted look. Counters stay generally open, supporting readability, while the irregular stroke edges add visual noise that becomes more prominent at smaller sizes.