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Slab Square Refe 8 is a very bold, normal width, monoline, upright, normal x-height font.

Keywords: posters, headlines, packaging, signage, sports branding, western, collegiate, retro, sturdy, bold, impact, heritage, ruggedness, headline focus, sign readability, blocky, bracketed, high-contrast joins, compact, heavy serifs.


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A heavy, slab-serif display face with broad, rectangular stems and pronounced slab feet and caps. Serifs are thick and mostly flat-ended, with subtle bracketing that softens some joins while keeping an overall squared silhouette. Counters are relatively tight and apertures run small, giving the letters a dense, punchy texture. Round forms (O, C, G) read as sturdy ovals with strong vertical stress, while diagonals (V, W, X, Y) are wide and weighty, keeping the rhythm even at large sizes. Numerals are similarly robust, with chunky curves and squared terminals that match the uppercase tone.

Best suited for large-scale applications where impact and legibility at a distance are priorities, such as posters, banners, storefront signage, and bold editorial headings. It can also work well for packaging labels and brand marks that want a vintage or rugged feel, and for sports or team-style graphics where strong slab serifs add authority.

The font conveys a confident, no-nonsense character with a vintage, poster-like presence. Its heavy slabs and compact counters evoke classic American display traditions—part western wood-type, part collegiate headline—resulting in a warm, emphatic voice that feels dependable and attention-grabbing.

The design appears intended as a high-impact slab display face that balances squared construction with slight bracketing for readability and warmth. Its consistent heft and compact counters suggest an aim toward bold, print-forward typography that feels traditional and durable in headline contexts.

In text, the bold serifs create a dark, consistent color and strong word shapes, especially in all-caps settings. The lowercase keeps the same muscular construction as the uppercase, helping mixed-case lines retain a uniform, blocky texture. Punctuation and spacing in the sample suggest it’s designed to hold up in tight, impactful compositions rather than delicate, airy layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸