Sans Superellipse Fogis 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'FX Ambasans' by Differentialtype, and 'Sweet Square' by Sweet (names referenced only for comparison).
Keywords: sports branding, esports, headlines, posters, packaging, sporty, futuristic, techy, assertive, dynamic, speed, impact, modernity, branding, display, rounded, oblique, blocky, compact apertures, soft corners.
A heavy, oblique sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and even, with squarish curves and superellipse-style bowls that keep counters compact and controlled. The letterforms lean forward with a pronounced slant, using clean, planar joins and clipped terminals that enhance a streamlined, engineered look. Numerals and capitals read especially robust, while the lowercase maintains a steady x-height and a tight, punchy rhythm.
This font is well suited to headlines, logos, and branding systems that need a strong, speedy presence—especially in sports, esports, automotive, or tech-adjacent contexts. It performs best in larger sizes for titles, campaign lines, and product marks where its rounded-square geometry and forward slant can be clearly appreciated.
The overall tone is fast, modern, and confident, evoking performance branding and contemporary tech aesthetics. Its forward slant and dense shapes give it an energetic, competitive voice suited to attention-grabbing messaging rather than quiet text.
The design appears intended to deliver maximum impact with a contemporary, aerodynamic feel, combining rounded-square geometry with a built-in sense of motion. It aims to read cleanly in bold display settings while projecting a distinctly modern, performance-oriented character.
The design favors closed-in apertures and sturdy counters, which boosts impact at larger sizes and in short bursts. The oblique angle is integral to the silhouette, so spacing and word shapes feel like they’re in motion even in static layouts.