Sans Superellipse Abkah 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Salda' by Hurufatfont, 'Aneba Neue' by Machalski, 'PF Das Grotesk Pro' by Parachute, 'Ballarih' by Sea Types, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: ui text, product branding, signage, dashboards, headlines, modern, friendly, clean, pragmatic, techy, clarity, modernization, approachability, system design, interface use, rounded, geometric, even, open, neutral.
A geometric sans with rounded-rectangle (superellipse) construction and smooth, uniform stroke weight. Curves are broad and controlled, with slightly softened terminals and corners that keep forms crisp rather than bubbly. Counters are open and evenly sized, producing steady color in text; round letters like O/C/G read as squarish-oval, while straight-sided letters maintain clean verticals and flat horizontals. Numerals are clear and sturdy with simple, contemporary shapes that align well with the overall geometric rhythm.
Well-suited for UI and product environments where legibility and a contemporary voice are needed, including app interfaces, dashboards, navigation, and wayfinding. Its geometric rhythm and softened corners also work well for headlines, tech and lifestyle branding, packaging, and clean editorial layouts that want a modern, friendly sans.
The overall tone is modern and approachable, combining a technical, engineered feel with gentle roundedness. It reads confident and straightforward without feeling sharp or aggressive, making it suitable for interfaces and contemporary branding where clarity and friendliness need to coexist.
The design appears intended to deliver a contemporary geometric sans with superelliptical rounds—balancing precision and warmth for digital-first use. Its consistent stroke behavior and simplified details prioritize clarity, scalability, and an efficient visual system across letters and numerals.
The sample text shows consistent spacing and stable word shapes, with the rounded geometry giving a distinctive texture at display sizes while remaining composed in longer lines. Diacritics are not shown; the visible punctuation and dots appear simple and utilitarian, matching the restrained construction.