Sans Superellipse Otkug 5 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Neuron Angled' by Corradine Fonts, 'FF Clan' by FontFont, 'Robusta' by Tilde, 'Obvia Narrow' by Typefolio, and 'Quan Geometric' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, branding, ui, packaging, posters, modern, friendly, confident, clean, technical, soft geometry, clarity, brand impact, systematic consistency, compact setting, rounded, compact, geometric, sturdy, high legibility.
A compact, geometric sans with superelliptical construction: bowls and counters are shaped like rounded rectangles, and curves transition smoothly into straight segments. Strokes are heavy and even, with squared terminals softened by generous corner radii. Proportions are efficient and slightly condensed in the lowercase, with a tall x-height, short extenders, and open apertures that keep shapes from clogging at display sizes. Capitals are broad-shouldered and stable, while numerals are simple and blocky, matching the same rounded-rect rhythm.
This font is well-suited to headlines, branding systems, and packaging where a modern, sturdy sans needs to read quickly and hold its shape at larger sizes. The compact lowercase and clear, rounded geometry also make it a strong candidate for UI labels, navigation, and interface messaging where a friendly but efficient voice is desired.
The overall tone is contemporary and approachable, balancing a utilitarian clarity with soft, friendly rounding. Its confident weight and compact fit create an assertive voice that still feels welcoming rather than severe.
The design appears intended to merge geometric efficiency with softened edges, producing a contemporary sans that feels systematic and consistent while remaining approachable. Its superelliptical forms and compact proportions suggest an emphasis on strong silhouettes, steady texture, and reliable readability in bold typographic settings.
The design maintains a consistent corner radius across letters and figures, giving text a cohesive “soft-square” texture. In the sample paragraph, word shapes stay crisp and uniform, with clear differentiation between similar forms (e.g., I/l shapes and round letters) aided by the squared geometry and open counters.