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Free for Commercial Use

Wacky Okjy 1 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Corsica' by AVP, 'Aspira' by Durotype, 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Munika' by Gravitype, 'Averta Standard PE' by Intelligent Design, 'Avenir Next Paneuropean' by Linotype, 'Almarose' by S&C Type, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, logos, album art, event flyers, grungy, playful, rowdy, handmade, punk, add texture, signal rebellion, grab attention, evoke diy, create grit, stencil-like, distressed, inked, chunky, rough-edged.


Free for commercial use
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A heavy, chunky display face with compact, mostly blocky letterforms and intentionally rough, broken contours. The strokes are thick and simplified, with squared terminals and occasional rounded corners, while irregular bite-outs and chips create a worn, stencil-like texture across counters and stems. Spacing and silhouettes feel slightly inconsistent by design, giving the alphabet a hand-cut, imperfect rhythm that reads best at larger sizes.

Best suited to posters, headlines, logos, packaging callouts, and entertainment/event graphics where texture and attitude are a feature, not a flaw. It can also work for short taglines or labels in gaming, music, and themed promotions, but is less suitable for long-form reading due to the intentional erosion of shapes.

The overall tone is mischievous and loud, combining a grunge-worn texture with a cartoonish boldness. The distressed cuts introduce a scrappy, DIY attitude that can feel punk, spooky, or humorously “messy,” depending on color and context.

The design appears intended to deliver a bold, attention-grabbing voice with a deliberately weathered surface, as if the letters were stamped, scraped, or cut from worn material. Its irregular breaks and chunky geometry prioritize character and impact over typographic neutrality.

The distressing often interrupts internal spaces and joins, so small sizes or low-resolution settings may lose clarity—especially in dense text. Numerals and lowercase carry the same chipped patterning, helping maintain a consistent, battered look across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸