Sans Other Bilil 2 is a bold, normal width, monoline, upright, short x-height font.
Keywords: headlines, logos, posters, packaging, signage, retro, playful, geometric, friendly, futuristic, distinctive display, retro modernity, geometric clarity, brand recognition, playful utility, rounded, compact, stencil-like, high contrast counters, soft corners.
A compact, geometric sans with heavy, uniform stroke weight and generously rounded corners. Many joins and terminals are softened into quarter-rounds, while counters are kept tight and clean, producing a solid, poster-like color on the page. Several forms show deliberate cut-ins and notches (notably in letters like a, e, s, and t), giving a subtly stencil-like construction without becoming fully segmented. Uppercase shapes lean toward simple geometric skeletons (circular O/Q, straight-sided E/F/H), while the lowercase introduces distinctive single-storey forms and squared-off apertures that keep the rhythm lively and slightly condensed in feel.
This face is well suited to headlines and branding where a distinctive geometric voice is needed, including logos, posters, packaging, and wayfinding or storefront-style signage. It performs best at medium-to-large sizes where the notches and tight counters remain clear and contribute to the intended character.
The overall tone is upbeat and retro-futurist, mixing mid-century signage warmth with a toy-like, techno edge. Its rounded geometry reads friendly and approachable, while the purposeful notches add a quirky, engineered character that feels designed rather than purely neutral.
The design appears intended to deliver a bold, highly recognizable geometric sans with playful quirks for display use. By combining rounded forms with small stencil-like cut details, it aims to stand apart from neutral grotesks while maintaining a clean, modern structure.
The alphabet shows strong consistency in stroke and corner treatment, with a clear preference for circular bowls and straight stems. Numerals are bold and display-oriented, with simplified geometry and large, dark silhouettes that match the letterforms. The distinctive Q and the clipped terminals in several lowercase glyphs add recognizability in short words and headlines.