Sans Superellipse Gybig 9 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Bourgeois' by Barnbrook Fonts, 'Bank Sans EF' by Elsner+Flake, 'Evanston Tavern' by Kimmy Design, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, techy, industrial, sporty, sturdy, futuristic, impact, modernity, robustness, precision, clarity, blocky, squared, rounded corners, compact, geometric.
A heavy, geometric sans with rounded-rectangle (superellipse) construction throughout. Strokes are uniform and dense, with large counters that stay squared-off and softly radiused, producing a blocky silhouette that remains clean and controlled. Terminals are mostly blunt with rounded corners; curves are minimal and resolved as softened corners rather than true circles. Uppercase forms are broad and stable, while lowercase keeps a straightforward, utilitarian build (single-storey a and g), maintaining consistent weight and crisp interior cut-ins.
Best suited to headlines, logos, and short bursts of text where its heavy geometry can do the work. It fits well in tech and industrial branding, sports and esports identities, product packaging, signage, and UI moments such as section headers or big numerals where strong, compact forms are desirable.
The overall tone is confident and engineered, with a contemporary, tech-forward feel. Its chunky, softened geometry reads tough and functional rather than friendly, suggesting performance, machinery, and modern systems. The rounded corners temper the aggression of the mass, giving it a polished, manufactured finish.
The design appears intended to deliver maximum impact with a unified superelliptical construction, prioritizing robustness, consistency, and a contemporary, engineered look. The softened corners and squared counters suggest a goal of combining toughness with a refined, manufactured precision.
The face relies on squarish counters and open apertures to preserve clarity at display sizes, and the numerals echo the same rounded-rectangle logic for a cohesive set. The rhythm is steady and compact, favoring bold shapes and clear interior space over delicate detailing.